4th of July - Alaska Style
Nothing says "Alaska" quite like the launching of cars off a 300 foot cliff for the 4th of July. Glacier View, Alaska.
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ZD 50-200 SWD
Sleeping Lady and Barge
Sleeping Lady and Barge. Cook Inlet from Point Woronzof, Anchorage, Alaska. Olympus E-3 with 50-200 SWD lens.
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Crimson Columbine
Crimson Columbine - Aquilegia formosa.
Olympus E-3 with 50-200 SWD lens. 200mm at F4.
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Queen of the Skies
Queen of the Skies! An Atlas 747 cargo flight arriving Anchorage at dusk. Olympus E-3 with 50-200 SWD lens.
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Alien Moonrise over Twin Peaks
K Norton
Wed, 04/28/2021 - 16:18
Alien Moonrise over Twin Peaks - Goat Mountain. Chugach Mountains, Alaska. Photo taken from the Knik River Access along the Glenn Highway. Panasonic DMC-GX85 with Olympus DZ 50-200 SWD lens. This is not a composite image, but was just done with (heavy handed, and very excessive) editing in Adobe Lightroom.
When photographing the scene, I used -2 stops exposure compensation to keep the moon from clipping too much, and then was able to edit to taste (tasteless?) in Lightroom.
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Zone System Mountainside
Zone System Mountainside. Chugach Mountains, Whittier, Alaska. Olympus E-3 with 50-200 SWD lens. Converted in Adobe Lightroom.
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Coffee and Sunshine
Coffee and Sunshine. Olympus E-3 with ZD 50-200 SWD lens.
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Alaska Golden Hour - Turnagain Arm
Turnagain Arm Golden Hour. Beluga Point, near Anchorage, Alaska. "Golden Hour" at this time of year is also midday as this photo was taken around 1 PM. Olympus E-3 with 50-200 SWD lens. ISO 100, 104mm, f6.3, 1/800. Converted in Adobe Lightroom.
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Rising Above the Shadows
Rising above the Shadows. Kenai Peninsula, Alaska. Olympus E-3 with 50-200 SWD lens.
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Setting Sun and Falling Snow
Setting Sun and Falling Snow. Chugach Mountains. Eagle River, Alaska. Olympus E-1 with 50-200 SWD Lens. "They say" the E-1 just isn't very good. ISO 100, F5.6, 1/60, 200mm, monopod. Processed in Adobe Lightroom. Keen observers will note that this is like the previous picture, but was taken the following evening. These two pictures also illustrate a little bit how the E-1 renders tonalities and highlights as compared to CMOS-based cameras.
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