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Camera Buying Strategy - E-3, E-30 or a consumer grade camera PDF Print E-mail
Written by Ken Norton   
Jul 06, 2010 at 12:21 PM

Buying a camera is an expensive proposition. Do you buy based on features or on something else?

 

P8091583-1 

Photographing in the rain - sure way to destroy lesser cameras. E-1 with DZ 14-54 Lens

 

 

The image quality of the E-30 is slightly better in most circumstances than the E-3 and there are a few software improvements here and there. But the E-3 is of a different class of camera. The E-30 is "flavor of the month", but the E-3 is a long-term investment. I'm still using my ancient E-1 as my primary camera because even though it's severely outdated in so many ways, it still delivers the goods AND it instills a total confidence which other cameras don't necessarily give you.
 
The E-1, and E-3 are built to a totally different standard. The E-30 is decent, but you feel nervous letting it get bumped around or wet. The E-3 is a camera designed to take serious abuse.
 
You may feel that kind of construction is overkill for you, but the fact is, you do change your mindset once you get the better built stuff. Suddenly you realize that rain, snow, sleet, slime, bounces, bumps, knocks and thumps are no problem and you start using the camera in ways you never thought you would.
 
But to put these cameras into proper perspective--for the vast majority of people, a camera like the E-1 or E-3 will never get worn out nor will it actually be obsolete. New cameras are like new cars--the interior might have new thermostat controls, different trim and maybe a digital speedometer, but none of that makes the car drive any better. All the new car really is is a new autoloan with higher payments and more expensive insurance.
 
When you look strictly at features, the pro-level bodies are pretty worthless. I recall how camera ratings were back in the dark ages when an elcheepo plastic wonderbrick would regularly get far superior ratings than the top-dog cameras that didn't have 12 modes of Program Exposure or blinky self-timer lights, auto film loading and rewinding and other features that failed.
 
Case in point:  The E-500, E-510, E-520 are all "superior" to the E-1 in nearly every measurable way. But I've seen in the past couple of days a message on a dropped camera and another with the dead IS. It is extremely rare to ever hear of an E-1 biting the dust in any way. Just as the Vivitar 285HV was classified as the "Cockroach Flash" because you can't kill them, the E-1 might also take on that moniker.
 
When buying a new or replacement camera, it is a good idea to really ask yourself the tough question:  Are you buying a camera for the next two years or one that might possibly last you the rest of your life? The "new shiny" E-5xx or m43 camera might look like a brilliant choice right now, but back up three years and look at what was the "new shiny" camera on the market then and think how well it has "aged". I recall how the E-300, E-330, E-500, E-510, E-520, E-400, E-410, E-420, E-30, E-620, etc., were all the "new shiny". Once you start on the path of buying the "new shiny" based on features or promotion, it is a slippery slope because in 24 months you are more than ready for another "new shiny" that miraculously solves all the ills of your "old dull" camera.
 
Buying a pro-level camera is of a different thing, usually. The "new shiny" doesn't turn into the "old dull" quite so rapidly and even once you do buy another body you tend to keep the old one around because "you need a backup anyway" and the camera really isn't bad, it's "just the sensor, you know" that isn't keeping up.

 

 


User Comments

Comment by elbows2 on 2010-07-09 11:01:25

Comment by elbows2 on 2010-07-09 11:49:36
To confirm what you say about the true long-term value of a pro-level body, this May I tumbled about fifteen feet down a rocky slope when a rock slid out from under me while working off-trail in northern Minnesota. My E-3 and 12-60 were in my hands at the time. They hit the ground *hard* and wound up under me when another, larger rock interrupted the fall. There was no damage to either camera or lens, aside from a scratch or two (same applies to me, give or take a few bruises). 
 
No way would a lesser camera body or lens have survived intact. And it's about more than not cracking or shattering. The battery and memory card doors remained closed, so no dust or debris entered the camera. The lens and lens mount held up superbly, so focus and exposure functions were unaffected. Once I collected myself, it was back to shooting. 
 
The E-3's durability has extended my range as a photographer, letting me shoot in rain, snow, or blowing dust. So long as I take care of it, it takes good care of me. After this most recent experience, I can't imagine ever buying a camera that doesn't have a pro-level body. 
 
John 
Macomb, Illinois, USA

Comment by roybenavidez on 2010-07-12 01:45:08
moral of the story is- NEVER buy a used camera from a professional! :-)

Comment by roybenavidez on 2010-07-12 01:53:54
why is the home page showing 3 comments for this article when in fact only this when added becomes the 3rd?

Comment by elbows2 on 2010-07-12 16:30:37
Because I goofed when trying to post my comment -- sorry if that led to confusion. 
 
John

Comment by WickedDark on 2010-07-30 09:08:08
The E-30 is a flavor of the month? At what ice cream shop? After 20+ years of photography and not dropping or damaging a single camera, I decided the E-30 was my next body. I've gotten it wet and dirty and don't think it's fragile feeling at all. No, I probably wouldn't want to subject it to what the E-X bodies are designed to take, but it's not a fainting flower. Olympus construction is damn solid at any point in the range. Someday I'd like to pick up an E-1 for that Kodak sensor and the weatherproofing, but for now the E-30 is all I need.
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